By
TIMOTHY FINN
The
Kansas City Star
The
sisters who founded Maria the Mexican call their music a mix of Americana soul
and Mexicana blues, but much of its heart comes from the traditions they
learned from their grandmother.
Tess
and Maria Cuevas are the granddaughters of the late Teresa Cuevas, who died in
December at the age of 93.
A
native Topekan and the daughter of parents who fled Mexico during the
revolution, Teresa Cuevas started her own all-female mariachi band, the seven-piece
Mariachi Estrella, one of the first of its kind in the United States. The band
was booked for a show at the Hyatt Regency on July 17, 1981, the night of the
skywalk collapse. Four band members died in the collapse. Teresa Cuevas was
among the injured.
After
she recovered, she kept the name Mariachi Estrella but turned her focus to
teaching mariachi music to students, including her granddaughters.
“We
both joined the band when we turned 11,” said Tess, a 2003 graduate of Topeka
High School. “A few of our cousins did it. We did it for 12 or 13 years, into
our early 20s. The height of it was during high school. We performed at a lot
of wedding parties, Masses, Mexican fiestas in Topeka, Kansas City and
Lawrence.”
Tess
played violin; Maria, who is three years younger, played vihuela, the
five-string guitar that is elemental to the mariachi sound. They left Mariachi
Estrella behind while in college but continued playing and performing.
“We
experimented with Maria and I playing together, and she played with some blues
bands,” Tess said. “Then I moved to Chicago.”
That
turned out to be a fortuitous move. In May 2011, she signed on to perform a
Cinco de Mayo show at the Mexican restaurant where she worked. She enlisted her
sister, who by then had met Garrett Nordstrom, a songwriter, guitarist and
founder of the rock/funk band the Garrett Nordstrom Situation. He got a crash
course in mariachi music and accompanied Maria to Chicago, where the three
played that restaurant gig.
“We
rented a van and a P.A., set up in her restaurant and played like a four-hour
show,” Maria said. “We taught Garrett all the traditional Mexican tunes. He’d
never played any of them and hadn’t rehearsed with Tess.”
That
Chicago gig was intended to be a one-off, but it inspired more music after Tess
moved back to Topeka.
“It
was supposed to be just for fun,” Tess said, “but when I moved back here, we
got together and started practicing.”
And
they formed Maria the Mexican. For live shows, they hired a drummer and a bass
player and became more of a rock band. In May 2012, they booked a Cinco de Mayo
gig at Knuckleheads as part of MerleJam, the annual fundraiser for
heart-transplant patients. It was their first Kansas City show.
Shortly
after that, the band went into the studio and recorded a single, “Ruler.” For
that they hired Jason Riley on guitar, who has since joined the band. That
autumn, they prepared to record an EP but ended up with more than enough
material for a full-length album. Going in, they thought they knew what sound
they were shooting for.
“We
thought it was going to be a real Southwestern album,” Tess said. “But each of
the songs ended up growing into something else. So that’s not what we call our
music anymore.”
“Some
of the songs we picked are real poppy and not so Southwestern style,” Maria
said. “Then there were of course the traditional songs we wanted to do but not
traditionally. We would come in with an idea, then Garrett and Jason and our
engineer, Matthew Russo, would all put in their own flair.
“It
took us awhile to come up with the right words to describe the music because
it’s so broad and encompasses quite a few sounds. So we came up with Americana
soul and Mexicana blues.”
The
album they recorded is “Moon Colored Jade,” 12 tracks that fuse rock, soul,
blues and funk with Mexican folk accents. The album was released in October
They
enlisted an array of top-shelf talent to record with them, including Lester
Estelle Jr. on drums, Craig Kew on bass, Ken Lovern on Hammond B3, Hermon
Mehari on trumpet, Christine Grossman on viola and violin. (Kew and Lovern are
also part of the live band.)
Some
of the tracks are re-arrangements of Nordstrom’s songs-in-waiting, some are
songs he co-wrote with Maria and some are their versions of traditional Mexican
songs like “El Cascabel” and “Besame Mucho.” Nordstrom said it was somewhat of
a challenge to give those songs more of a rock feel.
“We
want to push them to more of a rock feel, more 6/8, so they have more of a
groove and they roll along better,” he said.
“We
have played them in traditional form for so long, it’s fun to take those
traditional songs and put them with drums and bass and see how they sound,”
Maria said. “Some of them really work electrified.”
They
incorporate those songs into their live performances. And sometimes they play
them in the traditional manner, as they did in June when they opened for Los
Lobos, Los Lonely Boys and Alejandro Escovedo at Knuckleheads. Their
grandmother was there that night to hear how they had mixed their Mexican
traditions with American roots.
“She
was just beaming listening to us play ‘El Cascabel,’ ” Tess said. “I know it
made her so happy to see what we had taken from the mariachi and made new and
different.”
“She
prepared us to carry on our traditional Mexican roots expressed through music
by teaching us how to interpret mariachi music and to express emotions through
that music,” Maria said. “She encouraged us to carry on those songs and the
emotions they evoke.”
Chucharada (Tango, Bolero)
